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Acid'n'​電​太​鼓​（​acid'n'denden​-​Daiko）

by YousukeFuyama

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Acid'n'den-Daiko 11:35
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Video:
youtu.be/Zi8JA3qP2QU


Acid'n'​電​太​鼓​（​acid'n'denden​-​Daiko）
Visualization based on the exhibited installation work
Installation exhibited at :
0 // 2023 Public Visuals Exhibition
会期｜ 2023年7月25日（火）～ 8月5日（土）
会場｜ √K Contemporary B1F
root-k.jp/exhibitions/0-2023-public-visuals-exhibition/


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This artwork is an auditory installation that intertwines the iconic TB303 sound of the Acid House movement with the traditional folk drum acoustic toy known as "Denden-Daiko," which has been cherished in Japan and around Asia for a long time.

This fusion is achieved through generative signal processing. The program originally described in Max8's RNBO has been ported to Raspberry Pi. Endlessly generated MIDI signals control the movements of both a synthesizer and the drum.

In the contemporary context, signal processing and information handling are already intrinsically linked to various physical phenomena, and I have simply connected and manifested these linkages. Likely, similar results could have been achieved through combinations of various other instruments. Once real-world phenomena are captured as information and incorporated into a computer, they transform and return to the physical world in altered forms.

The output of information isn't restricted to existing formats alone; all possibilities can be explored. The presentation of information, projected onto various platforms beyond just stereo speakers and projections, might carry humor at times, yet the process itself remains largely unaltered. What's being presented here is a difference in endpoints, merely a slight alteration in the angle of outputting information from conventional methods.

This "small initial difference in the process" might eventually lead to significant, unpredictable differences as it progresses.


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この作品は、アシッドハウスムーブメントの象徴的なTB303サウンドと、日本やアジア周辺で古くから親しまれてきた伝統的な民芸ドラム音響玩具「デンデン太鼓」を、生成的信号処理によって結び付けた音響インスタレーション作品です。

Max8のRNBOで記述されたプログラムはRaspberry Piに移植されており、無限に生成されるMIDI信号がシンセサイザーと太鼓の動きを制御します。現在、信号処理と情報処理は既にさまざまな物理現象と潜在的に結びついており、私は単にそれらを結び付けて具現化しました。おそらく、さまざまな他の楽器の組み合わせでも同様の結果が得られたでしょう。

一度コンピュータに情報として取り込まれた現実世界の現象は、再び形を変えて物理世界に戻ってきています。情報の出力は既存のフォーマットに限定されるものではなく、あらゆる可能性が試されても良いでしょう。ステレオスピーカーやプロジェクションだけでなく、さまざまなプラットフォームに情報が投影されるプレゼンテーションは、時にユーモアを持つかもしれませんが、プロセス自体はほとんど変わりません。

ここで提示されているのは、終着点の違いであり、従来の方法から情報を出力する際の角度がわずかに変わっただけです。この「プロセス初期の小さな違い」は、進行するにつれて予測できないほど大きな違いをもたらす可能性があります。

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photo by phont
visual designer & photographer ANGRM™

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released August 12, 2023

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YousukeFuyama Tokyo, Japan

Yousuke Fuyama is a composer, programmer, and audiovisual artist based in Tokyo, Japan. His creative practice in video, sound, installation, and graphic arts often involves digital programming and improvisational performance. This work explores the potential of audiovisual art as made possible by the interconversion of data across various interfaces and programmes. ... more

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